The intuitive sensibility of the artist made her focus on the medium shadow body of her work, adding a contrast yellowish lighting. Hur perceives the abstraction that nature gives, she observes the surroundings and captures the objects of beauty in this large canvas. The flowers drawn shows a sense of rhythm, speed with a free brush touch. The flow of oily feeling, maximizes abstract expression and pictorially, evokes the illusion that the viewers are inside the painting.The artist pays attention to the abstraction that nature gives. While taking a walk, she observes the surroundings and captures the natures beauty and captures it in her work. The large canvas shows a the rhythm of free brush touch and the flow of oily painting to maximizes abstract expression and evoke the illusion of the viewers presence.

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Grass. Fire. Water

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The title of the exhibition, Grass Fire Water is a display of the images from; When the green alongside the street becomes empty, where once was dense. A match flamed for a moment to light the birthday candle. Grandmother's body without moisture. All three of them as a similarity in temporariness. 'My Grandmother was like a withered grass when I saw her a few years before she died. While I was massaging her legs, I suddenly reminded me of the moment, that I picked the withered flower from the vase to throw it away. The touch of her legs was the same with the withered flower. Vanitas Paintings, which I always loved, slid by. I wanted to capture the process of the falling of blossoms on an image, as it is likewise the human life. The repetition of painting and erasing has no difference with the thing that we are struggling to live.I wiped the image I drew yesterday out, which was less withered than today, and recorded today on it. Erasing the paintings was a bit regrettable, as it feels like I was vandalising my labours. However, it seems that I wanted something vague. Like the yesterday, our tomorrow is also unclear.‘