Artists(페이지 노출)_한글 List

Jonas Wood (b.1977) depicts the objects that fill his daily life in a compressed manner. Friends, family, sports, vases, plants, animals, and sensuous interiors densely populate his canvases, breaking new ground in contemporary painting.

Rather than focusing on realistic depictions of objects and spaces, Wood's paintings emphasise flat surfaces filled with rich colour, creating a tension between two-dimensionality and three-dimensionality. Wood's use of colourful planes on canvas creates a sense of infinite expansion. His paintings are filled with vibrant and playful coloured objects that fill every inch of the canvas, appealing to the senses of the viewer familiar with digital screens.

Daniel Núñez(b.1988, Spain) traverses the boundaries between design and fine art with his abstract neo-expressionist style.

His canvases, filled with bright, random symbols and images, exude a dreamlike yet playful atmosphere. He has exhibited in various countries, including Korea, Japan, Spain, Portugal, the United States, and Dubai. Daniel has exhibited his work in various countries including South Korea, Japan, Spain, Portugal, the United States, and Dubai.

Jeongho Heo's work delves deeply into the relationship between "emptiness and fullness." His iconic moon jar paintings are not mere material objects; their essence lies in the "empty space" they represent. This vacant interior holds memories of the past and potential possibilities for the future. Heo's meticulous process of inscribing letters on the canvas, one by one, aligns with his philosophy. The act of filling the canvas with text becomes a meditative practice of self-emptying, inviting viewers into a space of reflection and contemplation.

Heo studied Western painting at Chung-Ang University and has held over 50 exhibitions across Korea, New York, Taipei, and Vancouver, showcasing his art on an international stage. His large-scale canvases, centered around the image of a jar filled with finely inscribed text, offer a unique visual experience. In addition to his creative work, Heo has dedicated over 20 years to teaching, and his profound artistic world continues to draw attention for its contemplative depth.

Angeliki Angelidis has a deep interest in East Asian culture. She studied the histories of Silla, Goguryeo, Baekje, Goryeo, and Joseon, and discovered that the tradition-oriented customs of Korea bear significant similarities to those of Greece.

Drawing inspiration from Korea's rich cultural heritage, the artist combines Greek and Korean influences in her paintings. Her artwork revolves around the natural elements of fire, water, wind, and earth, rooted in Korean philosophy.

In 2021, she held a solo exhibition in Greece, which attracted around 1,000 visitors, including officials from the Greek government and the Korean Embassy in Greece. This marked the beginning of significant interest in her work. Since then, she has exhibited her work in Turkey, Brussels, Paris, and Korea.

Carlo Rizzetti is one of a member of Cracking Art Group. He uses intense colors to express his perspective of the World. Rizzetti mainly uses fruits and flowers that are commonly found around us to associate objects in his work with us, and to make us think about the role of the life.

Gérard Economos has friendship through the work of cultural arts activities and celebrities such as Jean Cocteau, Marcel Marceau, Michel del Castillo, ect. Not only Economos has been exhibiting in the famous museums and galleries, but he also participated in the Air France flight, International Council, the Cathedral, music venues, art project which was created to show timeless space. Economos is an artist with diverse art.

Economos has been working actively with the lyrical abstraction of nature-themed elements essential "to view pictures for listening to music," theme. Greek immigrant origin, Economos is famous for his use of a large canvas to paint symbolize the birth of rich blue colors. Economos is known as "Economos Blue."

In 2005, Economos was awarded for the prestigious Medal of the Légion d’honneur Chevalier in France.

Brooklyn-based artist Grace Weaver uses a unique formative language to capture the everyday lives of modern people.
Her portraits often feature introspective women, whose reveals are more open to interpretation than clarification, and contain psychologically compelling moments. As if drawing with charcoal, Weaver teases, rubs, and layers her brush to create unique and new arrangements.

Boree Hur recognises the abstractness of nature, observes his surroundings and captures objects of beauty on large canvases. The flowers are painted with free brushstrokes, showing a sense of rhythm and speed. The fluid flow of the brushstrokes maximises the abstract expression and creates the illusion that the viewer is inside the painting, and the artist pays attention to the abstractness of nature. During her walks, she observes her surroundings and captures the beauty of nature, which she incorporates into her works. On large oil canvases, the rhythm of free brushstrokes maximises abstract expression and gives the viewer the illusion of being inside the painting.

Andy Warhol is one of the most influential figures in 20th-century art and is considered a pioneer of the Pop Art movement. Born in Pittsburgh, Pennsylvania, USA, in 1928, he initially began his career as an advertising illustrator, but went on to build his own unique artistic practice. Warhol excelled at transforming images and icons from popular culture into works of art, including his Campbell's soup can series and portraits of famous figures of his time, such as Marilyn Monroe and Elvis Presley, which are still recognisable today.

Andrés Lozano (b. 1992, Spain) creates bright and vibrant artworks focusing on nature and everyday life. He studied Fine Arts at the Camberwell College of Arts, part of the University of the Arts London (UAL).

Lozano has made his mark not only in various European countries such as the UK, Spain, and Sweden but also in the art markets of Asia, including Hong Kong. His work is characterized by a free and spontaneous use of color and the soft, rounded depiction of objects.

Jinah Sohn was born in Seoul, Korea in 1967. Her works are mainly decorative and rich visual images that appeared in the metaphors and symbols.

Reproduce began with 'chair' of the 18 century French court of his paintings. The realistic portrayal of street life that he portrayed chair. The flatness of the chair is a neglected perspective and decorative.

Antique slot represents the alienated self is an empty chair and a sofa, represents symbolically the monotony of everyday space and plaid background is repeated. Also it shows the link with other strings drawn across the screen of the desire expressed by the shape of their mirror.

Jaerok Jang was born in 1978 and graduated from the Oriental Department of Dankuk University in 2004. Then, he completed a Master of Science Oriental in Hong-Ik University and went to graduate School of Fine Arts for PhD.

Jaerok Jang uses a traditional oriental painting techniques and materials called ' Muck' to draw a solid and modern objects like a car. He majored in Oriental paintings, and he expanded the material landscape of modern life. One of his subject 'other landscape' includes nature in the city which become the things like cars, chandeliers, jewelry and words are used as a metaphor. Jaerok Jang first takes a picture of a car and he enlarge the image and output one pixel pictures using Photoshop. Then, he uses 'muck' to transfer photos into the canvas. Through this process, Jaerok Jang aggressively borrow the unit structure of the pixel in the traditional genres of Oriental.

Jaerok Jang was awarded for the First Prize Art Exhibition specialties followed by section in 2006.

Myounghee Kim captures the moments her heart encounters nature, embedding them within her artworks. She reconstructs the emotional colors received from nature onto the canvas, focusing more on colors than lines to convey emotions directly. Rather than emphasizing the forms of nature, she highlights the impressive appearances of nature through colors, painting the harmony of color and light in monochrome.

By directly dropping paint onto the canvas to represent nature, she expresses the inner imaginations and tranquil energy in a sculptural form. Through deep communication with nature, her work explores the wisdom of life and internal serenity, hoping to provide a brief sanctuary for our weary minds and allow us to appreciate the purity and peace found in nature—the ultimate origin of our lives.

Jaeran Won was born in 1973 in Seoul, Korea. Since college, Jaeran Won used passive and helpless woman for the main theme in this work. The imperfections of the women has led the empty feeling in one's daily live, which shows the hollow where one cannot do anything without someone. Jaeran Won uses specific titles to show different feeling of woman, and most of the woman have a distorted body on his work. He lives and currently works in London.

Eunmi Chae use traditional materials and unique techniques to explore simple and stylish modern formative. Eunmi Chae uses shiny natural fabrics of clothes for glue to inject the cube which is stuck on gold foil. Then, she uses Obang colors (5 Korean traditional colors) to paint on top of the gold foil. This techniques show Gold Color-Field Painting. There are variation of brilliant lights as there are lots of depth to the work.

Sculptor Han Cheol Shin is known as 'the artist of spheres,' earning this title through his work that transforms the common circular form into various sizes and materials before recombining them to convey the energy of life. The orbs, both large and small, within Shin's works symbolize life and existence, potentially representing the most basic units of the universe, such as cells or nuclei, or even the womb from which existence originates.

Primarily working with stainless steel, Shin creates pieces that infinitely reflect both their interior and exterior, breaking down the boundaries between reality and illusion. In front of his sculptures, onlookers are prompted to contemplate the 'relations' of existences reflecting each other endlessly and the 'energy of life' that stems from these connections.

Han Cheol Shin graduated from the College of Fine Arts and the graduate school at Seoul National University and has contributed to major sculpture projects in Korea. His works are housed in collections at the National Museum of Modern and Contemporary Art Art Bank, Seoul Museum of Art, Gyeonggi Museum of Modern Art, and Hong Kong Harbour City.

Daeho Guk is an artist who observes the objects with high concentration to detect a change in the color. He replicates the color of objects like pictures with painterly brush strokes. If Daeho Guk’s earlier works were about landscapes that are blurred out of focus, his recent works have more vivid colors due to his exploration of colors, and he is expanding the scope of the work.

Hyun Seung Hwang does not paint flowers on canvas as stereotypical objects. Rather, he seeks to capture their dynamic essence and vitality, beyond their physical form. Building his path with layers of diverse narratives, Hwang reflects on the objects discovered in daily life and the relationships that share warmth while maintaining a proper distance. Hwang transforms the ordinary into extraordinary images, using a poetic sensibility as an antithesis to the established world, refracting and reordering subjective images into poetic expressions.

His works, which started with a solid foundation in realism, now reveal inner beauty through a more liberated and sophisticated style. Hwang is also known for his eight solo exhibitions and group shows at prominent venues like the Seoul Arts Center, Sejong Cultural Center, and Seoul Auction, creating a distinctive mark with his strong poetic message in the contemporary art scene.

Yongrae Kwon is the master of stainless steel which is modern and intellectual material. It holds or sprinkles the light pouring from above. When each unit of stainless steels is stuck on canvas, there’s the joy of painting the line on traditional paper with a brush drenched with the ink. Those units are spread over like the ink on paper.

Color coated metal using the stained glass technique. The light of the space containing the color of reflected light colors. Pieces together a piece in a patience of canvas are attached to the nature of the moment is gone and the cold steel walls, thousands of pieces of metal and a variety of hot and fascinating illusions. Rather than drawing about the lights, the lights are contained in his work, so his work is light itself. His style of making art work is very unique and have a new possibility that expression leaves a strong impression created by the big fireworks display.

Pierre-Auguste Renoir (1841-1919) was a key figure in the French Impressionism movement, celebrated for his unique aesthetic in the use of color and light. Born in Limoges, he moved to Paris to pursue his art studies, where he interacted with contemporaries such as Monet, Sisley, and Bazille, playing a crucial role in the early development of Impressionism. Renoir focused on celebrating the beauty of people and nature, capturing everyday moments with vibrancy. His notable works include "Dancer," "Saint Sever Church in Rouen," and "Garden in the Wind."

Renoir's portraiture, in particular, stood out for its delicate depiction of people’s expressions and postures, earning him widespread admiration. Despite initial resistance from the traditional art community, Renoir and his peers gradually gained recognition for their innovative approach to capturing natural light and reproducing moments realistically. His techniques and style influenced many later artists and continue to impact modern art. Renoir’s works are held in collections worldwide, and his pieces have fetched high prices at auctions, affirming their enduring value in the contemporary art market.

Hyejin Chung's work does not have a limit to drawing, collage, painting and photography. She mostly showed works that revealed the nature of Abstract Expressionism in 1990's, and later on, she used Obang colors (5 Korean traditional colors) in 2002 and her colors became very intense and strong. Hyejin Chung studied photo media in France in 2003, and she expands the range of work across the boundaries of the genre.

Like how Matisse used intense juxtaposition of primary colors, Hyejin Chung uses red, yellow, green and blue colors in her works. Utilizing the complementary slightly on the canvas, she draws a variety of patterns which loses traditional three-dimensional, but shows the incidence of colorful colors.

William Sweetlove was born in 1949 in Oostende, Belgium, studied at the University of Ghent and is an active member of the international art collective Cracking Art Group, founded in Italy. Cracking Art Group creates and exhibits plastic sculptures of animals as a form of communication art that arouses social interest in animals in everyday life and their disappearance due to environmental issues (global warming).

Sweetlove uses a variety of materials to express himself through painting, sculpture, and assemblage, so his works are filled with sarcasm, humor, and irony. The reproduction and replication of animal figures such as dogs, sheep and lions made from coloured plasticine form part of his research, alongside fossilisation. By focusing on "animals" that are closely related to humans, Sweetlove highlights the seriousness of the state of nature as a result of irresponsible human behavior.

Niki de Saint Phalle is a French artist best known for her sculptural female figures known as Nanas; colorful, patterned, and crafted in a variety of shapes and sizes, these women embody de Saint Phalle’s feminist spirit. She was part of the Nouveau Réalisme movement. Born Catherine Marie-Agnès Fal de Saint Phalle on October 29, 1930 in Neuilly-sur-Seine, France, the self-taught artist first began making work as a form of therapy. Early in her career, de Saint Phalle became inspired by the architecture of Antoni Gaudi while on vacation in Spain, and planned to make a piece on par with his famed public park design, Parc Güell. A painter, sculptor, and designer on a grand scale, de Saint Phalle died May 21, 2002 in La Jolla, CA at the age of 71.

Hyunmo Yang (b.1987) is an artist who one day found himself captivated by the movement of a candle flame, leading him to explore the life force it embodies. To the artist, light symbolizes a complex coexistence of fragility and strength. Within the aesthetic framework of symmetry, the artist captures the shape of light, using repeated delicate brushstrokes before the paint dries to create blurred forms within his works. This repetitive action, akin to a meditative practice, allows him to converse with his art and intricately express the depths of life.

Using the motif of a candle, the artist completes his pieces by portraying light and shadow in forms reminiscent of shimmering mirages. His works evoke subtle emotional waves, freely traversing between light and shadow, fragility and strength, clarity and blurriness. They invite viewers to step away from the clamor of daily life and guide them towards a warm and peaceful inner self.

Alex Katz (b. 1929, USA) is a living master representing the United States, widely admired across generations for his works that exude simplicity and elegance. He has participated in over 200 exhibitions at some of the world's leading museums.

In 2022, the Solomon R. Guggenheim Museum in New York held a major retrospective, "Alex Katz: Gathering," encompassing the entirety of Katz's artistic career.

His works are permanently held in major art institutions worldwide, including the Museum of Modern Art (MoMA) in New York, The Metropolitan Museum of Art in New York, Whitney Museum of American Art in New York, Tate Gallery in London, Centre Pompidou in Paris, Guggenheim Museum Bilbao in Spain, and the Museum of Contemporary Art in Tokyo, Japan.

Inok Song paints inspiration from the boundary between the visible and the invisible, observing the sea and nature. From afar, the sea appears as a deep blue plain, while up close, it swirls like a storm, illustrating the world composed of dots, lines, and surfaces. Song reinterprets the beauty of nature and its formal elements with her own sensibilities and mood, scribbling daily life's accumulated traces onto the canvas. Her paintings are filled with serene brush strokes, succinct lines, and indifferent dots; the fading touches serve as meaningful foundations for future works. Song values continuity over perfection, hoping that both unconscious and conscious memories will leave traces through her hand and brush, subtly guiding her artwork as it fades with time.

Javier Granados is a Spanish pop artist known for his vibrant colors and stylized depictions of voluptuous female figures, evoking humor and cheerfulness. His works portray everyday women through a pop art lens, with full-bodied figures and smooth skin reminiscent of Botero's protagonists, enhancing a soft and gentle atmosphere. Granados's use of clay in his object works brings back memories of childhood play with sand, dolls, and pretend games, while incorporating social critique and ironic messages, making his pieces compelling and memorable.

After studying in Korea and Japan, Joon Choi moved to the US in 1982, and in 1984 he established the first Korean studio in Manhattan, New York. After returning to Korean in 1988, the way he walked became the way of Korean advertising photographs and portraits. He is a rare photographer who takes both commercial and art photography. The artifacts of the Beakje era, which was taken by Joon Choi are very unusual. His photographs are very intense and have a power to draw the essence of the object linearly.

Sangjoong Kang's works represents the source of life with colors and to turn it into a circular geometric actually moving light. A slender brush work done by the bottom of the artist's work can be repeated without expressed without disturbance is a value.

Sangjoong Kang's work is varied. Type of work has been developed in various ways such as drawing, painting and printmaking, as well as the installation, have been deployed in the interpretation of the fundamental questions of "Light and Life" is the theme of the work. In the late 80's Sangjoong Kang had an installation "Light and Movement' to reality (installation), and in the mid-90's he's work was about 'flat painting' about light and life. Since the second millennium, it consists of the operation of the primitive representation that combines the optical geometry and structure.

Junsung Bae(b.1967, Gwangju, Korea) separates the person looking at the drawing and painting in his own person. Artist himself has dived his listeners back in the time to figure out by differentiation of the authors and viewers. The response time of painting the artist, and the time to judge about the time looking at what artist painted. The key here is the time to draw a picture of these artists through differentiation-independent lapse into a kind of savings that exists. Jungsung Bae is devoted to the continuity of the action while he draws a picture. It bears a similar attitude to the mechanical engineers who engaged in same-sex mechanism after witnessing the direct sphere contained in it, as if the act itself draws a picture.

Hyunjoo Park, an artist who studied fine arts at Seoul National University and New York University, earned her Ph.D. by researching medieval European Tempera and Icon materials at Tokyo University of the Arts. She has innovatively combined traditional painting techniques with modern abstraction, crafting her own artistic language between tradition and the contemporary.

In her latest solo exhibition, Park uses gold leaf as a primary material. On the canvas, the harmoniously blended gold leaf reflects light naturally, exuding an elegant and luxurious sheen. Her color field abstractions resonate with the inherent light and color of minerals, leaving a profound visual and emotional impact on the audience.

Park reinterprets light through her distinctive intersection of traditional materials and modern expression, forging new horizons in art.

Keunjoong Kim captures the essence of spring by painting the elegantly blooming peonies and the beauty of nature. The peony is known as the 'king of flowers' or the 'flower of wealth and honor', boasting sumptuous and majestic blooms. Wealth is often considered to come from the material riches and honor found in reality, but true abundance and happiness are found within our hearts. Gazing upon the noble beauty of a single peony, our hearts too seem to be filled with wealth and glory.

The enlightenment Keunjoong Kim has gained through repeated contemplation of existence is sublimated into his works. He conveys the insight that true wealth lies in the heart, in an attitude of 'Ansim Immyeong' (安心立命) – finding peace and purpose in life by letting go of excessive desires and attachments – through the image of the peony. He invites viewers to appreciate the noble form and subtle fragrance of the peony, hoping they will discover the genuine richness and happiness engraved within the heart.

Seunghye Hong compares one of the basic units of screen configurations like a brick or home to a sheet of cells. Her work has been produced by a computer, but the addition and subtraction of the pixel is drawn and intervention by the artist. Seunghye Hong's work has been switched to warm and delicate when the image is in cyberspace or organic geometry of Mathematics organic.

The Works by Casper Kang(b.1981, Canada) are based on Korean traditional folk paintings, but she ventured to remove the element of tradition in it and re-arranges as an objective form. Her personal objective view of the image is free from forming a work elements and meaning of the work. The Artist's own expression of drawing city and continuous lines create 'space'. It creates a link between the visual images and artwork. She applied for the quality of the picture to the standards adamant, and this creates a sense of depth to the detail and sophistication in the work. In addition, Casper Kang's work receives more attention because it takes very long time and a hard process of creating the work.

COOPER(b.1992, USA) is one of the rising young American artist who has been praised for reimaginating a fresh style of still life. The hi-fi stereo, which often appears in his paintings, represents COOPER's sweet memories of his childhood with his family while listening to music. His work, which has sincere humanity in it, gives us an audio-visual pleasure figuratively with playful and dynamic brushstroke and colors.

Julian Opie was born in London in 1958 and lives and works in London. He graduated from the Goldsmiths School of Art, London in 1982.

Julian Opie's work is recognised around the world. With public commissions and international museum exhibitions from New York to Seoul, London to Calgary, Opie's distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the concept of representation and the way images are perceived and understood. "Everything you see is a trick of light," says Opie. "Light enters your eyes, light casts shadows, creates depth, shape, and colour. When you switch off the light, everything disappears. We use sight as a means of survival, and it's essential for us to take it for granted, but awareness allows us to look at what we see and, by extension, to look at ourselves and be aware of our existence. Drawing, painting the way the process feels and works, brings awareness to the present, to the real world, to the outside world."

Always exploring a range of techniques, both cutting-edge and ancient, Opie reinterprets the vocabulary of everyday life to explore ways of seeing, and his reductive style evokes a visual and spatial experience of the world around us. Influenced by classical portraiture, Egyptian hieroglyphics, Japanese woodblock prints, public signage, information boards, and traffic signs, the artist bridges the clean visual language of contemporary life with the fundamentals of art history.

Yunhee Toh was first asian artist who had exhibition in Beyeler Foundation, the founder of Art Basel in Switzerland, in 2007. Yunhee Toh tries to add the beauty hidden behind the phenomenon on the canvas by being closer to the essence of nature and life. She fills the canvas with a pencil tightly, repeat the closing process with banish and layering the background to create depth on her work. It takes several months or several years to make one piece, and it really needs patience and soul making the work.

One of Yunhee Toh's master piece is made by stacking foil one by one, and this piece has dignified and classy feelings. In addition, works like 'Some Time It gets Dark Because of the Sunlight' and 'Snow is falling. The Light is Broken Down' not only expands by things invisible to visualize contradictory literary works, but these also adds depth to the work by adding and correcting many times with many layers.

Nam June Paik (1932-2006) is widely recognized as a pioneer of video art and is credited with opening new avenues in contemporary art. He announced the advent of video art with his first solo exhibition, "Exposition of Music – Electronic Television," in Germany in 1963. He gained international acclaim with the "Video Cosmos: An Exhibition of Video" at the Museum of Modern Art (MoMA) in New York in 1974. His major exhibitions include the Korean Pavilion at the 1993 Venice Biennale, the Whitney Biennial in 1988, and a retrospective at the Guggenheim Museum in 2000. His works are housed in prominent museums such as MoMA, the Guggenheim, Tate Modern, and the Seoul Museum of Art.

Nam June Paik expanded the boundaries of art by utilizing video and television as artistic media, creating a new visual language through the fusion of technology and art. He continuously sought to transcend the limitations of traditional art by revolutionizing visual culture through video art. Paik's work significantly influenced the development of media art and digital art, and his creativity and experimental spirit continue to inspire many artists today. His notable awards include the Golden Lion at the 1995 Venice Biennale and the American Academy of Arts Award in 1986.

Hyemin Lee is well-known for her intricate series of small fabric pillows made from traditional Korean Hanbok materials, hand-stitched to evoke personal memories, dreams, and hopes. The vibrant arrangement of pillows represents the tangled web of emotions, experiences, and relationships inherent in life itself. Her other series 'Waves' consists of works made from plaster bandages shaped into undulating lace-like waves, revitalizing materials once considered trivial and imperfect. Her pieces, often inspired by physical and emotional experiences, utilize materials reminiscent of fragility and vulnerability, such as worn fabric, broken wooden frames, and medical plaster bandages.

Lee's practice begins with an exploration of everyday objects, drawing ceaseless inspiration from seemingly mundane dialogues with them. A true interdisciplinary artist with a background in sculpture, painting, video art, and music, Lee is not confined to a single medium, allowing her to experiment with various forms and techniques. In her recent works, she employs plaster bandages, a material that is flexible when wet but becomes strong and resistant once dry, to create an illusion of fragile waves that are, in reality, calm yet powerful. Her work conveys that softness does not equate to weakness.

Trey Speegle(b.1960, Texas, USA) seeks the proper harmony between commercial and fine art as unique. Not only Speegle works as an artist, he has been working as an art director for Vogue, Vanity Fair and a variety of media including the weekly US catalog of Art and Design Gallery for the past 25 years.

Speegle is also a member of the East Village art scene earlier, and he mainly gets inspired in topics like hope, love, longing, and loss for his works. However, getting away from the one-dimensional meaning of the word, Speegle uses the phrase that has a double meaning with a play to adaptation emotion and feeling of pop.

Kicco, who is a member of Cracking Art Group, addresses the key issues of 'human' through a variety of life experiences. Kicco's works contain the "current" present in the passage of time through a combination of photo and silicon that is responsible for maintaining a balance between the human and natural feel.

Seongyoun Koo does not hide that his image is configured, open the simulacrum. We recognize that you want to believe that we reappearance of pictures, words, flip the fact that they reproduce the real. The reality is that the images reproduced picture. This makes her wants to express different concepts expressed in symbolic signifiers of tradition and imitation by the excess borrowing from her photo effects.

Jaehyo Lee completes the natural beauty of the Asia through the transformation the natural materials. Jaehyo Lee wants the audience to only get the message from his work where the work and himself are separated, so his works are easy for everyone to from an empathy.

Table and chair showing cross-section of a tree and a sculpture made by bending a small nail gives us a familiar shape without changing the nature of the materials. Jaehyo Lee is success in a way how the natural materials come to our lives and creates an empathy.

Seungtaik Jang painted Western style art and graduated from Hongik University in Korea. Then, he graudated from the Paris National School with a painting major. After having first solo exhibition in Paris in 1989, he became known as a painter to pursue non-material dimension through the soaked material to explore the spiritually of light materials, mainly through the paint pigment. One could feel that appreciation is put more time watching his old paintings. Since Seungtaik Jang spend a long time working with lights, materials and colors, one could first see beautiful color field, and could hear and touch over time.

In our daily lives, the image of flowers is often confined to certain stereotypes. However, under the brush of Soojung Han, flowers speak an entirely different language. She transcends mere replication of flowers by boldly magnifying their forms, adjusting their saturation, altering their colors, and sometimes cutting parts away to reconstruct the familiar image of flowers we know. In Han's world, flowers are not just natural objects but subjects of complex artistic experimentation.

The reinterpreted images of flowers convey a mysterious and unfamiliar sensation to the viewers, prompting a reconsideration of the essence of flowers. The intense colors, bold shapes, and the harmony of negative space induce a deep reflection on the beauty of flowers we encounter in our daily lives.

Soojung Han captures the subtle beauty and vitality of nature, using the inherent fragrance and mystique of flowers to blur the lines between dreams and reality.

Cracking Art Group is formed in Biella, Italy in 1993 as motto for the awakening of the social problem. This is Pop Art Group, and it actively works and lives in Europe now.

Cracking Art Group consists six artists including: William Sweetlove, Renzo Nucara, Marco Veronese, Alex Angi, Carlo Rizzetti and Kicco. This group focus on the social impact of the arts, and it passes the message of environment protective, overproduction and overconsumption of life and vitality.

Cracking Art Group works based on the work unfolds in two acts, which are 'Plastic', and 'Recycling' and 'Accumulation'. In particular, the plastic is created from the 'oil' that contains the history of nature intact through the cracking process (the oil refining process). This have validity as a piece of material from Cracking Art Group that contains all the properties of natural and artificial.

Through the work of these various social issues that pleasantly loose in the responsibility, we as a human being could think again about our responsibility we have as human life and the role of humans.

Raúl Guerrero (b.1945, California, USA) draws on his culture and experiences as an American of Mexican descent. His work often features linguistic and cultural references to Latin American history and the American West. Guerrero is known for his witty allusions to the visual artistic legacy of multiculturalism. In a career spanning more than 40 years, Raúl Guerrero has had solo exhibitions at Long Beach Museum of Art, San Diego Museum of Contemporary Art, and the Fine Arts Museums of San Francisco, among others, and had been represented at the California Biennial in 2022.

Hyungmin Moon(b.1970, Korea) majored in fine art at the Art Center College of Design in Pasadena, California, and received his MA for fine art from California State University in Los Angeles, California. Moon has concentrated on various media art works often by using photographs. His works attract attention with vivid colors and keen design sense in it.

The artist pursues formal completeness but, at the same time, his works indirectly express social-level ideas that go beyond simple and formative-level ideas or individual taste. In other words, Moon’s works are of modernism and aestheticism in their formative framework, but the message underneath it is rather social.

Through such contradiction or co-existence between the form and content, he switches social issues with communication or signs, which are generally considered “clear”, into “unclear” and “obscure” issues. In the meantime, he puts “unclear”personal sense or experiences into the “clear” domain of sign. In Moon’s works, “specialty and universality” and “individual and society” interwind and infiltrate one another.

Foster Sakyiamah (b. 1983, Ghana) is an emerging contemporary artist based in Accra, Ghana, whose vibrant colors and curvilinear patterns bring to life the people, communities, and culture of Ghana. The diversity of patterns and forms adds dynamism to the figures and backgrounds and is immediately eye-catching.

Sakyiamah's precise and sharp portrayal of the figures is contrasted by the use of elegant and lyrical gestural lines, and the rich and luxurious palette blends with the bright rainbow of background hues. Filled with abstract patterns and lines, his work has a different feel depending on the viewing distance.

Robert Indiana (1928-2018) was an American pop artist known for his iconic and simplistic imagery that had a significant impact on contemporary art. Born Robert Clark in Indiana, he moved to New York to pursue a career in art. He became a pioneer of the 1960s pop art movement and is best known for his "LOVE" series, which features the word "LOVE" in uppercase letters arranged in a square with red and blue colors. This series has resonated with many due to its straightforward yet powerful message.

Indiana also made a substantial impact on contemporary sculpture, establishing a unique style that utilized text and numbers. His major works are housed in renowned institutions such as the Museum of Modern Art (MoMA) in New York, the Philadelphia Museum of Art, and the Indianapolis Museum of Art. Indiana's art reflects social messages and personal experiences, capturing the essence of pop art.

Marco Veronese, a member of the Cracking Art Group, emphasizes the surface by utilizing the visual characteristics of each work materials. Veronese is not a fossil that has a natural process, rather he represents that ‘fossilized’ exist. In addition, by using material the “silicon” in modern, antiques stirred for an effective breaking down the boundary of the time.

Photographer Kim Yong-Ho has been creating a unique and surreal story that combines images of his everyday experiences and memories, crossing the border between commercial and artistic photos. He has been releasing experimental photos while building relationship with the public.

Rather than the ideological aesthetics of photography expressed by any form or constraint, he plans a continuous and meaningful project. As a groundbreaking recorder, he pays closer attention to the moment when the border between various gazes, freedom, and unconsciousness is expressed through the contemporary era.

He has led projects that evoked the public's sympathy with ‘unique presence’ and 'originality' in each field of photography, broadcasting, culture, art, fashion, lifestyle, etc., and re-examined icons, companies, culture, brands, and cultural heritage. He is classified as an exceptional and challenging artist. He changed the cultural trend of photography and commercial through unexpected ideas, composition, and re-imagination of perspective, and has contributed greatly to spreading the global image of Korean companies since the exhibition of “Body” at Daelim Museum in 2008.

In recent years, his works tended to focus widely on the possibilities of photographic images as well as video media. Multimedia that borders across the exhibition is sometimes visual text that replaces the artist's notes or commentary, and sometimes functions as a fascinating detail that mediates the traditional virtue within the photography—Punctum and Studium. These characteristics uniquely reveal the world of Kim Yong-Ho, which cannot be defined by only one category, and bring vitality to the gap behind the still image.

Haeree Cho translates sound into visual form, exploring the flow of sensory perception through painting. Drawing inspiration from traditional Korean music—its rhythmic structure, temporality, and harmonies—she delicately reinterprets these elements into color and form.

Her work incorporates systems like Jeongganbo (traditional notation), Paleum (eight sound categories), and heterophony, inviting viewers to “listen” with their eyes. Blending tradition with modernity, and East with West, Cho’s practice bridges music and painting into a unified language of rhythm and emotion.

She holds a BFA and PhD from Seoul National University and an MA in Fine Art from Chelsea College of Art and Design. With 16 solo exhibitions and over 85 group shows in Korea and abroad, Cho continues to evolve a distinct visual language rooted in tradition yet open to experimentation.

Lilian Martinez (b.1986, USA) illuminates the everyday moments of women of color—historically underrepresented in visual culture—through works that combine flat, vivid color fields with elements drawn from popular culture. Her practice explores the inner strength and beauty of women, celebrating both resilience and softness in equal measure.

Martinez is gaining increasing international recognition across the United States, Europe, and Asia. In 2024, she achieved a significant milestone when all her works sold out at Frieze Los Angeles. Her work is included in public collections such as Nike (Beaverton, Oregon) and the Xiao Museum (China), and has been featured in renowned media outlets including The New York Times, ArtNews, and Frieze.

Damien Hirst (b. 1965, UK) is one of the world's most successful contemporary artists. After studying Fine Art at Goldsmith College, he played a pivotal role in the late 1980s as a member of the 'Young British Artists' (YBA) group, catapulting it to legendary status. His significant influence helped revitalize British contemporary art and shift the art market dynamics that had been dominated by the USA. In 1995, he was awarded the Turner Prize by the Tate Museum.

His works are permanently housed in some of the world's top museums, foundations, and government institutions, including the Museum of Modern Art (MoMA) in New York, the British Council and Tate Gallery in London, and the Fondazione Prada in Milan, Italy.

[artist's note]
My interest in the ancient practice of pictographs, or amulets, is not only because of the outward appeal of the images, but also because of the mystery of their symbolic composition. Due to the shamanistic nature of amulets, where the images themselves exert some sort of magical power, they have been downplayed as magical tricks and superstitions, and their aesthetic world has not received the attention it deserves. Out of a vague fascination and interest, I began to study amulets in a sculptural way, and discovered that they contain a whole universe within them, filled with aesthetic materials of the highest refinement and beauty.

Rooted in magical mysticism, the images of pictograms are an aesthetic manifestation of human creativity and have the power to connect the human spirit with the material world. Images of archetypes handed down from ancient times, symbols of concepts that symbolically illustrate the principles of creation of all things in the universe, abstract shapes based on human intuition of the invisible world, such as the flow of chi... Amulets made up of images of these symbols are an original art that makes the invisible world visible through the exercise of human imagination. In particular, in its creative sculptural principle, there is a creative and unconventional sculpture that is being tried in various ways in contemporary art. This means that there are infinite possibilities that can be reborn as a new sculpture outside of any fixed framework that is outdated.

My work is a creative attempt to present a new world of beauty by reinterpreting pictograms, which have travelled a long way from ancient times, in a modern visual language. Despite the abundance of visual images, modern people are constantly hungry for new forms of art. Due to the multimedia art environment that combines different elements such as images, text, and sound, contemporary art seeks new ways of looking, new ways of reading, and new ways of listening. Unlike in the past, contemporary art now actively utilises non-linear, interactive and integrated media such as video media, the internet and mobile phones, including temporality. In today's digital media environment, where a complex convergence of media is taking place, amulets have infinite possibilities to develop into a new art form through the sculptural dynamism of their symbolic representations, which move between pictures and text. As such, amulets as a symbolic sculptural language are an artistic language with vast potential to suggest new directions for contemporary art and expand its scope of expression.

Passed down through the millennia, pictograms hold a wealth of symbolic imagery. Their sculptural exploration is a new attempt to transform them into deep and delicate images that capture unique cultural sentiments. It is also a fascinating way to communicate with the invisible and mysterious energies of the universe through images. The creative challenge of exploring the fusion of various mediums and the new integration of secret pictogram images is a joyful play of discovering another world of time.

Henri Matisse (1869-1954) is a master of 20th-century modern art, known as a pioneer of Fauvism. His work is celebrated for its vibrant colors and simplified forms, which introduced a new direction in art. He first gained attention at the 1905 Salon d'Automne in Paris through the initial Fauvist exhibition, and later achieved international acclaim through the Shchukin Collection in Russia in 1910. Major exhibitions include the 1913 Armory Show in New York, a solo exhibition at the Museum of Modern Art (MoMA) in 1931, and a retrospective at the Musée National d'Art Moderne in Paris in 1945. His works are housed in prominent institutions such as MoMA, the Musée d'Orsay in Paris, Tate Modern in London, and the Hermitage Museum in St. Petersburg.

Henri Matisse opened new possibilities in painting through his innovations in color and composition, expanding the expressive range of art. He emphasized the purity of color and direct emotional expression through Fauvism and later pioneered a new path in visual art with his cut-out technique. Matisse's work profoundly influenced modern art, and his creative passion and experimental spirit continue to inspire many artists today. His notable awards include the French Legion of Honor in 1927 and the International Peace Prize in 1952.

Tschang-yeul Kim was born in South Pyongan, Seoul in 1929. After tschang-yeul graduated from the College of Fine Arts in Seoul National University in 1950, he settled in Paris in 1969. Tschang-yeul got inspirations from informel movement in the beginning, and made works called lyrical abstract. In 1972, Tschang-yeul received worldwide attention by introducing the work about droplets in Salon de Mai in Paris, France.

Alex Angi(b.1965, Cannes, France) is an international artist known as member of Cracking Art Group as well as an individual artist. He is inspired by the relationship between natural and artificial with the purpose of representing the present historical reality by using recycled materials, plastic mainly, which is the contemporaneity matter.

The result is a series of colourful plastic explosions, artworks with an extraordinary expressive strength at a both structural and chromatic level. He exhibited in various galleries and museums, among which Freies Museum in Berlin, Show-off Art Fair 2011 in Paris, Vercelli-Arca Guggenheim, Magda Danysz Gallery in Paris and in Shangai with "Meccanorganic" (2012).

Fernando Botero was born in Medellin, Colombia in 1932. He is famous for painting inflated figures and still life works, which are plump the utmost. Botero is one of the most representative painters of the Latin American by revealing the sense of humor and emotions on this works.

Botero has been working in both of France and the United States since 1973, and continues to work activity. Botero won the award 'Guggenheim National Prize for Columbia' in 1960. Also, he received the Order of Boyacá in the Grade of Grand Cross in 1977.

Ikjoong Kang was born in Cheongju, Korea in 1960, and graduated from Hongik University in 1960. Ikjoong Kang moved to New York and graduated from Pratt Institute in 1984. Then living in New York and began a full-scale operation is regarded as indicating the name of the Korean artist on the international stage.

Ikjoong Kang's work was born when he was in New York to study in his childhood time. He used to draw character or symbol illustration, and also paint daily lives scenes in a small 3-inch canvas while he was on the train. The pursuit of harmony in different things lead to a small canvas pieces, such as free-form text, symbol, or illustration that is drew. The story of world peace and the reunification of Korea by Dun development trends indicate that the fusion of Eastern and Western cultures and embracing the early days of studying in Korea with the motif of the material, such as moon jars, or small children.

Ikjoong Kang was awarded for today's young art virtual in 1997, first Prize in 47th Venice Biennale, and Ellis Island Award in 2007.

Born in South Korea in 1985, young artist Kihyuk shin who is interested in the magic makes an illusion on two dimensional canvas with “Trompe l’oeil”. He doubted the importance of planarity which has been highlighted since the abstract art movement was on the rise and focused on the expression of the spatiality as visual art.

During the working process, he projects various images on the cube like object in order to select the one which can maximize the spatial effect and draw it on the specially modified canvas. And he puts mythological images or masterpieces on this space in the total new context. This “dépaysement” produce narrative elements showing the double illusions in one scene. The visual incompleteness in his painting makes viewers actively immersed in the works.

His art has been influenced by famous British artist Patrick Hughes who is famous for inverse perspective and three dimensional painting and Dutch painter Samuel van Hoogstraten who lived in the 17th century.

Soohyeok Shin graduated from the Painting Department of Hongik University and its graduate school, and completed his doctoral studies at Tokyo University of the Arts. He won an Excellence Award at the JoongAng Fine Arts Competition in 1997 and has since exhibited in numerous solo and group exhibitions both in Korea and internationally, including the 'Origin of Painting Association Exhibition' at the Seoul Museum of Art in 1999.

The artist creates a thick texture on his canvases through a repetitive process of applying and removing paint, revealing his artistic perspective through this series of actions. Shin abstractly expresses memories, spaces, and the boundaries between the everyday and the extraordinary through lines. His motifs are inspired by the changing urban landscapes of Korea, capturing the construction of new buildings, the layering of memories, and the flow of time within his works.

Daeyong Byun(b.1972, Busan, Korea) is one of the few artist who has own distinct style among Korean pop artists during 2000s. He led active communication with the reality beyond the trend of pop aesthetic, and he has the power to create the various layers of reality conceived as a rich symbol and metaphor.

From canvas, paper, fabric to plexiglas, Didier Mencoboni has wide range of medium, but al his works are the result of experiment in consistent context. On the contrary to past artists who radicaly showed only one form, he developed his style complementing formative language. In the early 90’s, he draw the series “…Etc..” that he transformed various types and themes to his own style. Until now, he has made more than 2,000 pieces of works and they are all numbered.

Mencoboni’s abstract paintings provoke the interaction between geometrical and systematic forms, at the same time the contradiction; natural and artificial, irrational and rational, continuous and discontinuous. Another feature of his works is the “Joy of beauty” which is rare characteristic in the modern art world. The sublime from the inside and visual beauty from the outside, each level gives different impression. Moreover, his art comes from the flow of ideas. Through self-created divisions and variations, he guided the viewers to apath of abstraction that lies in complete freedom and joy.

Gary Hume was born in Kent, UK in 1962, and graduated from Goldsmiths College in 1988. Hume's work for graduation exhibition has been invited to "Freeze"(1988) and "East Country Yard"(1990) by Damien Hirst. As Gary Hume was invited to these exhibitions, he started getting attention from the audience.

The doors of the hospital attracted worldwide attention, and Gary Hume worked with actual size of the door to create "Door Painting." Hume started using gloss paint on aluminum panels from the mid-1900s. Hume only used two colors on a form of human expression to express fantastic expression.

In 1999, Hume became one of the most representative artist in UK and "an magnificent artist in Great Britain," by showing his work in the Venice Biennale. Hume painted a women and animals on aluminum with a line to simplify the work. Hume developed a unique visual language by using a simple shape with thick bold lines. His motif was to paint recognizable shape of birds and flowers, but these shapes were often flattened or cracks occurred, and these happenings made his painting awkwardly recombinant. This also backlash and intense shooting, but also unify with fascinating blend colors. In 1996, Hume was elected to the Royal Academy and nominated to the Turner Prize.

Sukwon Sa is a distinguished artist who graduated from Dongguk University and its graduate school, before completing his master's studies at Université Paris 8 in France. He began his solo exhibition career at Songwon Art Gallery in 1989 and has since held solo exhibitions at notable venues such as Kumho Art Museum. He was awarded the gold prize at the 1984 Korea Art Exhibition, and his works are part of prestigious collections including the National Museum of Modern and Contemporary Art, Seoul Museum of Art, Ho-Am Art Museum, Ministry of Foreign Affairs, the Blue House, and the Ministry of Culture, Tourism, and Sports. His contributions to contemporary Korean art are widely recognized both domestically and internationally.

Kangwook Lee is receiving favored by painting abstract of a vast universe cell. He creates something that has to look under a microscope to modern materials such as pencil, cubic, glass beads, etc. on white background with subtle, such as white porcelain. Kangwook Lee creates an imaginary world of 'invisible space.'

David Salle(b.1952, Oklahoma, USA), who was part of the legendary Pictures Generation, a group that cannot be left out when talking about New York art of the 70s and 80s, uses montage to contrast pop culture images from comics, advertisements, and graffiti with art historical visual elements. The dynamic juxtaposition of these disparate elements creates a poetic absurdity and provides a fresh sense of irony for the viewer.

In his 30s, David was recognized for his artistic abilities with a 1986 Guggenheim Fellowship at the Guggenheim Museum, and in 2009, he cemented his place in art history with an exhibition at the Metropolitan Museum of Art titled "The Pictures Generation" alongside other star artists of 1980s America, including Syndicates, Barbara Kruger, and Sherry Levine.

Michael Craig-Martin, born in Dublin in 1941 and raised in the United States, is a pivotal British conceptual artist and teacher, known for his distinctive style of outlining everyday objects with bold colors. A Yale University graduate, he became influential in the UK's art scene from the 1970s, especially for his conceptual work "An Oak Tree" (1973).

Craig-Martin profoundly impacted the Young British Artists (YBAs) through his teaching at Goldsmiths College in London, mentoring figures like Damien Hirst and Tracey Emin. His work spans conceptual art, installations, and painting, consistently exploring the relationship between objects and their representation. Craig-Martin's contributions to contemporary art and education have made him a key figure in British and international art.

Michael Craig-Martin was honored with a Commander of the Order of the British Empire (CBE) in 2001 for his services to art.

Renzo Nucara, one of a member of Cracking Art Group, works with subjects including meaning of the time, environment and changes in the human thought process in his work. Nucara uses resin, pigment and plastic to make modern elements into archaeological feelings.

Kim Tschoon-su (b. 1960) is a contemporary Korean artist known for his distinctive flat paintings centered around blue. His works, including ‘Suspicious Tongue’, ‘Untitled’, ‘Sweet Slips’, and ‘Ultra-Marine’, explore the diverse spectrums of blue. Using finger painting, he applies paint directly with his hands, enhancing the depth and sensory quality of his work. Kim’s art blends symbolic and emotional color expressions, evoking visual and philosophical reflections. In 1993, he received the 3rd Total Art Grand Prize, and recently in 2024, he held a solo exhibition at Leeahn Gallery in Seoul, continuing his active career.

Cheol Woong Shim is a pioneering Korean first-generation video/media artist who has been active since the mid-1990s. Since encountering digital media and video at the advent of multimedia in the late 80s, he has been working in fields such as 3D animation, video, multimedia, video projection installations, digital imaging, and web art. His works that reflect the recent historical changes in South Korea against a backdrop of Korean phoneme images are metaphors for contemporary historical perception. Fundamental to Shim's work is a visual understanding of cultural identity and the exploration of individual self-identity, with an underlying current of aesthetic inquiry into the possibilities of new media.

Cheol Woong Shim founded the Seoul Media Study Group in 1996 and played a significant role in the launch of the Korean Association for Video and Image in 1998. He served as the president of the association from 2000 to 2004 and has dedicated 29 years to educating and nurturing artists at the university level.

Leading numerous exhibitions and academic activities, He has contributed to laying the groundwork and advancing the field of media art in Korea. He has presented his work in over twenty solo exhibitions and numerous prestigious group exhibitions domestically and internationally. His works are part of collections in institutions such as the National Museum of Modern and Contemporary Art, Seoul Museum of Art, and Yeosu City Museum of Art.

Hyunmi You's works seems to be unrealistic even though it is a real object; this is due to the strange arrangement and combination of the objects. Her work is about the implementation which precisely calculate the imaginary space of the reality After Hyunmi You collects basic objects, she reconstruct a collection of plain bizarre that encounter in the real space.

Sooja Kim's work is about meticulous stitching, which expose the delicate work of the world and that it has its own kind of order maintenance. One of the central issues to be concentrated heavily in the course of pursuing her work as a diary every day is an important topic, and she thought about the fact that subtitles that can be expressed in everyday just to show the potential of the art work out of the day-to-day though her work.

Joel Mesler combines rich, bold colors, kitschy patterns, cheerful motifs, and unique calligraphy with surreal compositions and a pop sensibility.

The theme of duality continues to interest Messler in his work. In particular, the sudden bursts of text against the backdrop of lush jungles and pools of water create visual irony and force us to reconsider the relationship between language and image.

Mesler's imaginative work effectively communicates universal themes within the human experience and has garnered the attention of leading gallerists and collectors around the world.

Daniel Heidkamp (b. 1980, USA) specializes in painting interior views and landscapes, attracting significant interest from major galleries in the USA and Europe. His works sold out at an exhibition in Dubai, capturing the attention of collectors from the Middle East and Asia, and earning high acclaim in the global art market.

The artist skillfully blends the wild, intense colors of Fauvism with the vibrant brushstrokes of French Impressionism. His works, characterized by soft and full tones, evoke an extraordinary and mystical sense from everyday subjects.

Establishing a unique identity with his three-dimensional 'spatial sculptures' that integrate the genres of installation art, sculpture and architecture, Seonghi Park is known as an artist who inscribes poetry in space. Charcoal, a natural object, often appears in his works. Seeing charcoal as the final form of wood, the artist suspends this material in the air, visualising the shape of architectural structures built for human civilisation and utility.

The artist's three-dimensional structures create the impression that fictional buildings made of vanishing nature (charcoal, wood combustion) are mysteriously manifested in front of us, defying gravity. Park's works, which examine the relationship between past and present, civilisation and nature, and reality and illusion, have been steadily acclaimed around the world for their ability to bridge the gap between East and West.

Marc Quinn(b.1964, London) is a prominent British artist associated with the Young British Artists (YBAs) movement of the early 1990s. He studied at Cambridge University, graduating in 1986 with a degree in History and History of Art. Quinn is renowned for his innovative use of materials and his exploration of themes related to the human body, identity, and the natural world.

Quinn's work often bridges art and science, utilizing materials like DNA, flowers preserved in silicone, and even feces to probe the boundaries of life, art, and permanence. His art has been exhibited worldwide, making him a significant figure in contemporary art for his thought-provoking and boundary-pushing pieces.

A bright, exuberant palette defines Shara Hughes’ painting practice, which ranges from kaleidoscopic landscapes to intricately detailed interior scenes. The work of Hughes who has confessed that “I think that nature reflects emotions in so many ways”, is known for her psychologically-charged tableaus that border on abstraction. After her participation in the 2017 Whitney Biennial, she has received favorable reviews from critics and public steadily, and is quickly becoming a formidable force within a new generation of forward-thinking painters.

Ángeles Agrela's work is a contemporary response to the ever-changing role of women in art history. In order to bring out the cultural and historical significance of the representation of women globally and historically, Agrela uses hair as the main motif. The faces of the female models are detailed and hyper-realistic, but at the same time, the shape and placement of the hair motif is distorted, creating a surreal atmosphere. By deliberately concealing or highlighting parts of the models' hair, as well as the colors, patterns, and fashion styles that characterize women's identity in convention, Agrela creates a beautiful and ironic reflection.

Ralph Fleck was born in Germany in 1951. Putting together the big picture into landscape, portrait, or still life seems to leave a distance but if you enjoy painting the concrete, paintings of Ralph Fleck released a pictorial representation that is aggressive in getting closer alignment of brush stokes or texture, color itself is highlighted between concrete and abstract. Fleck put together the big picture into landscape or portrait, sill life releases a pictorial representation in the paintings of Ralph Fleck is bold.

Compared to the figurative representation of a city or a book of such work and his current work, his works in early 1990s put a distance hearty texture brushes made together and touch their deep sense, his paintings are gritty appreciated. Painting a concrete seemed reminiscent of a flower garden looks, and highly cinematic quality that goes in the multivalent that incidence textured brushstrokes passionate and colors made itself with each touch. Clearly reveals that the work is his prime aspect ratio of the canvas, and the work is made by Fleck, which are made heavy.

Foon Kim was born in China in 1924, and after studying art, he went and studied in Paris. Foon Kim was first invited to the New York World House Gallery with Sugeun Bak and Hwangi Kim. Foon Kim received international attention in domestic by having an unique style and index with our unique color 'ohbangsaek.' Foon Kim died in 2013 in Seoul, Korea, and he was called the first generation of Korean abstract painting.
In 2002, Foon Kim was elected for good selection of artist Art Academy, and in 1992, he was elected for Monaco International Exhibition (Prix de la Societe Eja) contemporary art destination. Following year in 1993, he was elected for Salon d’AUTOMNE. In 1965, Foon Kim awarded Marry Washington Annual Exhibition of Modern Art.

Yunmo Ahn is a renowned artist known for his depictions of anthropomorphized animals, a theme he has pursued for over 20 years, using creatures like owls and tigers to reflect on human society and culture. His work blurs the lines between reality and fantasy, often using elements of nature such as flowers and insects to metaphorically explore personal growth and transformation.

Ahn utilizes vibrant colors, intricate patterns, and fluid lines to infuse his pieces with energy and motion. By incorporating elements of traditional Korean art with contemporary pop culture, his works explore themes of identity, transformation, and the interconnectedness of all things. His compelling and thought-provoking pieces have been featured in numerous exhibitions worldwide, captivating audiences everywhere.

Jim Dine (b.1935, Ohio, USA) is an artist of his time who has been associated with some of the world's greatest artists, including Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and Ed Ruscha. His work, which transforms everyday objects into sensual and witty art forms, is rooted in Dadaism, a philosophy that confronted traditional value systems head-on.

Associated with the Pop Art movement in New York in the early 1960s, he has since worked in a variety of media, including painting, drawing, sculpture, illustration, performance art and poetry. His highly expressive works symbolise the free and turbulent flow of personal consciousness in images. He has been called a pioneer of the Neo-Expressionism movement that swept across European and American canvases.